• Violent Delights

    The end of Westworld’s first season has felt like a series of reveals for the sake of having reveals. This post is packed full of unmarked spoilers.

  • No Insight To Be Had Out There

    Shallow takes on “Baby, It’s Cold Outside” are a perfect example of faux-progressive pop cultural simplification for the Twitter generation

  • Now They Set Their Clocks By Mine

    Moana is a by-the-numbers Disney princess movie that keeps going off-script to transform into something inspired.

  • Some-maj

    Fantastic Beasts and Where to Find Them is at its best when it’s at its darkest and weirdest.

  • Electric Sheep

    HBO’s Westworld is as much of a post-millennial meta-textual exercise as the original was a 1970s fear-of-technology thriller. That doesn’t mean it has nothing to say, though. Spoilers for the first three episodes.

  • 1984 Upside Down, or, Use Your Allusions

    Stranger Things would still be pretty great if it were just a shameless pastiche of 80s movies, but it ends up transcending that.

  • First They Came For The Valleywags, and I Said Nothing

    Navigating the minefield of principled opinions that results when wealthy strangers sue each other.

  • Have you heard the good news?

    Valve has turned me into one of Those People.

  • Unbreakable

    Everything a cowardly adult needs to know about 10 Cloverfield Lane

  • One of the Good Ones

    Zootopia is surprisingly great, and a reminder of the value of family movies as parable

  • Would That It Were So Simple

    A cursory and non-reductive look at Hail, Caesar! by Joel and Ethan Coen

  • Why I’m Excited About Firewatch

    The future of independent game development is now! Or at least two years ago!