• How I Spent My Decade

    Internet, did I ever tell you about the time I spent the better part of a decade watching a contrived, sentimental, raunchy, silly, and formulaic sitcom, and bawling my eyes out over it?

  • The Party of the First Part

    The tragic hilarity that results when people take the term “social contract” too literally

  • The Curious Case of Tow Mater

    Pixar sequels and another installment of “How I Learned To Stop Worrying and Love the Multinational Entertainment Conglomerate”

  • If I Can’t Show It, You Can’t See Me

    Somebody who doesn’t know much about music tries to explain why he loves St. Vincent

  • Is the Mailman Watching Me?

    My take on Walt Disney World’s “magic bands,” which will probably be misinterpreted as a defense of the NSA.

  • The Dude Abides

    Or, “Blood Simple Gifts.” Towards a Grand Unified Theory of movies that mock the idea of a grand unified theory. (Spoilers for just about every Coen Brothers movie)

  • It Looks Like You’re Having a Break-Up

    Would you like help? Unorganized thoughts on Her.

  • Warning: Labels

    Why Gone Home isn’t technically a game, why that’s not a bad thing, and why the distinction still matters

  • Llewyn Davis Adjacent

    Inside Llewyn Davis and why it’s almost always a bad idea to write about movies. Copious unmarked spoilers.

  • Look Into Your Heart

    Animal Crossing: New Leaf brought out the darkest parts of my personality. It’s still better than free-to-play.

  • A Country Boy Can Survive

    on a multi-million dollar multimedia and merchandising agreement. A bit of faux-populism is more valuable than any number of duck calls.

  • Bilbo of the Nine Hours

    The Desolation of Smaug is as overstuffed and self-indulgent as its title. But that’s kind of the point of the whole thing.